From Embekke Devale, retrace your steps back up the road towards Embekke Village. At the top of the hill, about 200m from the temple, the road forks. Go left here, climbing a steep hill and continuing for 500m through the edge of the village, a pleasant spot, though you’re likely to be hounded relentlessly by small children asking for sweets and schoolpens along the way. At the end of the village you reach a gorgeous bo tree and paddy fields, with a huge rock outcrop to your right. Continue straight along the road for a further 500m until the road forks. Keep right here and continue over the brow of a hill, from where you’ll catch your first, magical sight of the Lankatilake temple rising out of the tea plantations ahead. Continue ahead, ignoring another road to the left, through further paddy fields. You can take a shortcut immediately below the temple by walking along the wall across the paddy fields by an electricity pylon (follow the locals); alternatively, continue along the road till you reach the temples access road, which leads off on the left. Both wall and road lead to the base of the temple. From here, an agnificent flight of rock-cut steps leads precipitously up to the temple itself, giving glorious views of the surrounding hills. Lankatilake is perhaps the finest temple in the district: an imposingly solid-looking structure built on a huge rock outcrop and painted a faint blue rather than the usual white. It was founded in 1344, and its architecture is reminiscent of the solid, gedige-style stone temples of Polonnaruwa rather than the later and more decorative Kandyan-style wooden temples. The building was formerly four storeys are tall, though the uppermost storeys collapsed in the nineteenth century and were replaced by the present, rather ill-fitting wooden roof. The gloomy central shrine, with eighteenth-century Kandyan paintings, is magically atmospheric: narrow but tall, and filled with a great seated Buddha under a huge makara torana, above which raise tiers of decidedly Hindu-looking gods. The massive exterior walls contain a sequence of small shrines containing statues of Saman, Kataragama, Vishnu and Vibhishana, punctuated by majestic low-relief carvings of elephants. To the left of the temple, a large rock inscription in Pali records the details of the temple’s construction.
